To haiku or not
to haiku? That's the question.
Whether 'tis nobler
and more arduous
to suffer the difficult
challenge of the ode,
ballade or aubade,
epithalamium or
terza rima, the
knotty problem of
iambic pentameter,
idyll, epigram,
sestina, carpe
diem, rondel, kyrielle,
cinquain, sestina,
tanka, triolet,
septolet, sonnet, senryn,
epic, etheree,
blank verse, villanelle,
elegy, naani, nonet,
lento, limerick,
or to take arms against a
sea of pseudo-haiku
and by opposing end them?
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